Fine Garden Design
You already know the difference between a landscape that was installed and one that was designed. You've felt it at someone's home, in a garden abroad, in the way certain places make you slow down without knowing why.
That's what I do. I design that feeling.
I came to garden design from fine art. I think about a property the way I think about a canvas or an installation. Every decision is compositional. I built this as an art practice, not a business to franchise or scale.
I'm Clare Horne. I run The Grass Girl, a garden design studio based on my working farm outside Nashville. The farm is where I developed my practice and where I test every idea before I bring it to a client's property. I work across Middle Tennessee, from city lots in Nashville to multi-acre estates in Franklin, Leiper's Fork, and Wilson County.
The Design
I study your property before I draw a single line. Then I design a garden you can build from. Every plant, every path, every sight line resolved for how the place will actually feel to live in, not just look at.
From Drawing to Ground
For projects where the vision needs protecting through the build, I stay on site: sourcing plant material, aligning the contractor, directing placement and composition in real time. A plan can be interpreted. My presence makes sure it isn't.
The Ongoing Conversation
A garden is a living thing. I provide seasonal guidance, site-specific maintenance documents, and ongoing design counsel as the property evolves, because the garden gets smarter every year, and so does my understanding of what it needs.
I take a small number of commissions each year. Not every project involves all three layers.
Some clients need the design and are ready to build from the plan. Some need me through the build. Some want the long relationship. That gets worked out in conversation, after I've seen your property.
Tell me about your property.
The Design
The process starts on your property. I walk the land slowly. I read the light, the water, the grade. We talk about how you actually live out there. Where you have your coffee. Where the kids disappear to. What you see from the kitchen window that you wish were different.
On larger properties, there's more to read. How water moves across slopes. Where wind does damage. What the land does in January that it doesn't do in June. Some properties I need to visit across seasons before I design anything, because the ground keeps revealing things that change the plan. I don't rush that. I call this practice land portraiture.
From there, I design. I hand-select every plant that goes into a design. The specific tree, the specific form, chosen for exactly where it's going and what it needs to do there. The path that curves a certain way because that's where your eye already wants to go. The bed that blooms in sequence so there's never a month where the garden goes quiet. The tree placed to frame the view you'll see from the chair you actually sit in, not the one in the floor plan.
You receive a complete, buildable garden design. Everything is resolved on paper before anyone picks up a shovel. When a project calls for it, I help select the contractor and direct the installation on site so the finished garden is composed the way it was drawn.
I'm not designing for the photograph. I'm designing for the Tuesday morning in April when you walk outside and something blooms that you forgot was there.
I call this approach Inhabitation Design.
From Drawing to Ground
A garden designed at this level is closer to a large-scale art installation than it is to a renovation. The canvas is the earth. The medium is living material: plants, stone, soil, light, water, and time. And like any installation, the final outcome is not determined by the drawing alone. It is shaped by the decisions that happen during the build: the small shifts in placement, spacing, proportion, and the way a site responds as it's being formed.
The design package delivers a complete, buildable plan, one you can hand to the right contractor and execute with confidence.
But for those investing in a garden that is meant to feel intentional and composed down to the last detail, what I bring is this: I can see the finished piece before it exists. I can stand in the middle of a half-built garden and know that the tree the crew is about to plant needs to move three feet east, because five years from now, at five o'clock in October, the shadow it casts will land wrong. That's not something a plan catches. That's the designer's eye, present on the ground, in real time.
On these projects, I source and curate the plant material. I align the contractor with the design intent. I direct placement, spacing, and composition on site. The specifics of that involvement are shaped by the project and get worked out in conversation.
The Ongoing Conversation
A garden doesn't end when the install does. It's a living environment. It grows, it shifts, it responds to weather, and it will change its mind about things you thought were settled. Middle Tennessee weather will humble you and hang your plan out to dry. A tree that established beautifully in its first year might face a winter that tests it in its third. The soil changes. The light changes as trees mature. What the neighboring property does with their land changes what yours needs to do in response.
Most designers think of a garden as a project with a completion date. I think of it as a relationship with a piece of land.
For clients who want that relationship to continue, I stay with the property. I come back through the seasons. I write maintenance documents specific to what's in your ground. A working record of what the garden needs now and what to watch for next.
That ongoing conversation is where some of my best work happens. The garden gets smarter every year, and so does my understanding of what it needs.
No two properties ask for the same thing.
A project might be one focused area on a fifty-acre estate, a complete design for a half-acre lot, or a multi-year phased plan for a property with future builds to account for. Some gardens take a season to design. Some take a year.
You tell me about your property and what you're hoping for. I tell you honestly whether my approach is the right fit. If it is, we move forward. If it isn't, I'll tell you that too.
Want to know exactly what happens from the first phone call to a finished design?
Want to understand the philosophy behind the design?